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by Luigino Bruni
published in Avvenire on 31/12/2020
The collective dimension of fear and death: this is the legacy that 2020 leaves us. We had already forgotten the great collective fears; we had relegated death to the intimacy of the family and the solitude of the individual's heart. And we have learnt that a house is too small to process the pain of grief, because in order for us not to die together with those we love, we would need the strength of an entire community. Being in the same storm we felt the same fear, we shared the fear of death, and having shared it, it did not overwhelm us.
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We do not know how we will emerge from this annus horribilis. We will certainly come out of it without a good part of that generation born in a very poor Italy and dying in a wealthy one. Parents and grandparents whose virtues, pietas and popular faith generated families, businesses and democracy. Share-croppers, peasants and housewives who knew how to use the stones of the rubble of wars to build social and economic cathedrals. We all suffered watching them die, all too often alone, because we felt that something wrong and profoundly unjust was taking place. It was a generation that had walked behind a great star of morality: "The most important happiness is not our own, but that of our children". They sacrificed themselves because the value of the future was greater for them than that of the present.
But then, especially women, after spending their youth caring for their children and parents, too often giving up their own professional flourishing, found themselves growing old and then dying outside their home.
So, a first lesson of this year is about the culture of ageing, which we lack too much. In just a few decades we have wasted the good art of ageing and dying learned over millennia, and while we are expecting to find a new one we are making our mothers and grandmothers, who left this earth with an enormous and inestimable credit for care and nursing, pay a very high bill. Here, too, lies a root of this year's pain, in a collective debt of which we became aware of just as it was being extinguished.
History has known other horrible years. In 536 A.D. a mysterious (volcanic) fog plunged Europe and parts of Asia into almost total darkness for about a year and a half. Thus gave start to the coldest decade in two thousand years, with snow in summer and crops destroyed from Europe to China, resulting in an extremely severe and long famine. 1347-48 was the year of the arrival of the Black Death, an enormous massacre that killed a third of the European population. In Florence, which was particularly hard hit, three major changes were generated by that disaster. According to the chronicles of Matteo Villani and other Florentine writers, the end of 1348 marked the beginning of a perverse moral conception of life and of greater-scale malpractice. The return to life after all that death generated a frantic race for luxury, to drink the chalice of new-found life to its last drop. There appeared a new squandering and corruption that were also amplified by the great inheritances left by those who had died of the plague: much of the money that flowed into the Florentine chests ended up in the wrong pockets.
But there were other effects of a different kind, too. The Priors of the city adopted measures to help debtors who had become insolvent as a result of the plague, and in 1352 an office for the rights of the arts and trades was set up in Florence for the benefit of insolvent debtors. Finally, 1349 was a year of great development for Florence in terms of libraries and investment in books and works of art. The city government re-founded the Florentine Studium, the libraries of Santa Croce and Santa Maria Novella were greatly expanded, and various incentives were created for the purchase of manuscripts. These cultural investments were decisive for the beginning of Civic Humanism, one of the most unexpected and extraordinary side effects of the Black Death. Citizens, Dominicans and Franciscans understood that the way to start again after the great catastrophe was not the race for luxury, nor the frantic search for life's pleasures to forget death; instead, they sensed that they would be resurrected if the symbolic codes for a Renaissance were to be written by a new culture.
In 540, while Europe was going through the worst famine of the first millennium, Saint Benedict wrote his Rule in Montecassino, which marked the start of the extraordinary season of western monasticism, essential for the rebirth after the fall of the Roman Empire. The plague in Florence gave rise to The Decameron, one of the absolute masterpieces of world literature, begun by Boccaccio in 1349, with the plague still raging, aiming to console his people: “I mind me how very pitiful [= merciful - the tr.] you are all by nature” - these are some of his first words there.
We cannot get out of major crises without artists and prophets; it is their consolations that are really necessary for the recovery. Economic aid is important, especially if it is aimed at preventing debtors from bankruptcy, but it is not enough, and it can complicate the path, also because it often ends up in the wrong places. The artists and prophets of today are different from those who saved us in past centuries; but, again, we will come out better if we will also have generated our artists and prophets.
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[text] => Editorials - Today's trials and victims, yesterday's history
by Luigino Bruni
published in Avvenire on 31/12/2020
The collective dimension of fear and death: this is the legacy that 2020 leaves us. We had already forgotten the great collective fears; we had relegated death to the intimacy of the family and the solitude of the individual's heart. And we have learnt that a house is too small to process the pain of grief, because in order for us not to die together with those we love, we would need the strength of an entire community. Being in the same storm we felt the same fear, we shared the fear of death, and having shared it, it did not overwhelm us.
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If anyone still has any doubt that our capitalism has become something very similar to a religion, they just have to take a good look around on the web and the big shopping malls today and then try to figure out what's really going on. In the places where Black Friday is celebrated what is happening is something very similar to a religious phenomenon, with many traits in common with the functions of traditional religions.
Economy is a word of ancient Greek origins that refers directly to the house (oikosnomos, rules for managing the house), therefore to the family. Yet modern economy – and its contemporary version even more so – has been thought of as an area governed by different principles, distinct and in many ways opposed to the principles and values that have always held up and continue to hold up the family. A founding principle of the family, perhaps the first and the one underlying the others, is that of gratuitousness, which is the furthest away from capitalist economy that only knows surrogates of gratuitousness (discounts, philanthropy, sales) that play the role of immunizing the markets from real gratuitousness.
The culture of contracts is the big winner of our time of too many poor on the losers' side. It grew from the ashes of the culture of pacts, which had been the backbone of the family, civil and political edifice of the past generations. Until a few decades ago, the reign of the contract was important but delimited, because much of people's life was ruled by the register of pacts (family, friendship, politics, religion, work...).
and collective level, of some special emotions and higher feelings. Social norms, as Adam Smith reminded us already in the mid eighteenth century, are generated by the capacity that human beings have developed to approve and blame the actions and feelings of others (and their own), using the faculty he calls 'sympathy'. Social balance is the result of the spontaneous order of the dynamic of feelings, just as the market is the result of the dynamics of interest.
Today our children grow up being educated mainly by the television and mobile phones, in the company of new soap operas for kids, which do not represent anything more on the screen than what the boys live every day, without any ability to make them dream and wish for greater things than what’s already in their heart. The television stories of my childhood were 'Pinocchio' by Collodi, played by Comencini and 'Michael Strogoff' by Decourt, adapted from Jules Verne. Not long ago I listened to the soundtracks of those films again and suddenly I had a flashback of those days and my first emotions about good and evil by others - I learned it without a teacher’s help that a father can sell his only jacket to be able to send his son to school and that a poor farmer may donate his only horse for a greater ideal.
A great utopia of our capitalism is the construction of a society where there is no more need for human labour. There has always been a spirit of the economy that dreamed of "perfect" enterprises and markets to the point where you can manage without humans beings. Managing and controlling men and women is much more difficult than managing docile machines and obedient algorithms. Real people go through crises, they protest, they enter into conflict with each other, they always do things other than those that they should do according to their job descriptions, often they do better things.
Resurrection is a great word on earth. Life reborn from death is the first law of nature, that of plants and flowers that fill the world with colour and beauty, because they tell us that life is greater than death that feeds it. Women and men are reborn many times throughout their existence, finding themselves resurrected after grief, abandonment, depression or diseases that had crucified them before. Sometimes we rise again by resurrecting someone else from their tomb, and those have surely been the most beautiful and true resurrections we have witnessed. If resurrection had not been a human word, a friend and something familiar, those women and men of Galilee would not have been able to perceive anything of the unique mystery that had been completed between the cross and the day after the Sabbath.
The duty of hospitality is the main wall of western civilization, and the ABC of good of humanity. In the ancient Greek world a stranger was the bearer of a divine presence. There are many myths in which the gods take the form of passing strangers. The Odyssey is also a great lesson on the value of hospitality (Nausicaa, Circe...) and the severity of its desecration (Polyphemus the Cyclops, Antinous). In ancient times, hospitality was regulated by real sacred rites, as an expression of the reciprocity of gifts. From the first gesture of welcome to the moment of the guest's departure, complete with a "parting gift" the host had several duties which he had to perform in a discrete and above all, grateful way.
The topic of welfare, well-being, public happiness or social well-being has been and still is at the centre of the Italian tradition of civil economy. In recent years there was a significant growth of the debate around the need to go beyond GDP or, according to some, to start using other indicators telling about the other dimensions of well-being as well.